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Summary: Treasure Island is an adventure novel by author Robert Louis Stevenson, narrating a tale of "buccaneers and buried gold". First published as a book in 1883, it was originally serialised in the children's magazine Young Folks between 1881-82 under the title The Sea Cook, or Treasure Island.
Traditionally considered a coming of age story, it is an adventure tale known for its superb atmosphere, character and action, and also a wry commentary on the ambiguity of morality—as seen in Long John Silver—unusual for children's literature then and now. It is one of the most frequently dramatised of all novels. The influence of Treasure Island on popular perception of pirates is vast, including treasure maps with an 'X', schooners, the Black Spot, tropical islands, and one-legged seamen with parrots on their shoulders.
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Excerpt:
Squire Trelawney, Dr. Livesey, and the rest of these gentlemen having asked me to write down the whole particulars about Treasure Island, from the beginning to the end, keeping nothing back but the bearings of the island, and that only because there is still treasure not yet lifted, I take up my pen in the year of grace 17-, and go back to the time when my father kept the "Admiral Benbow" inn, and the brown old seaman, with the sabre cut, first took up his lodging under our roof.
I remember him as if it were yesterday, as he came plodding to the inn door, his sea-chest following behind him in a hand-barrow; a tall, strong, heavy, nut-brown man; his tarry pigtail falling over the shoulders of his soiled blue coat; his hands ragged and scarred, with black, broken nails; and the sabre cut across one cheek, a dirty, livid white. I remember him looking round the cove and whistling to himself as he did so, and then breaking out in that old sea-song that he sang so often afterwards:-
"Fifteen men on the dead man's chest-
Yo-ho-ho, and a bottle of rum!" |
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Author biography: Robert Louis (Balfour) Stevenson (November 13, 1850–December 3, 1894), was a Scottish novelist, poet and travel writer, and a representative of neo-romanticism in English literature. He was the man who "seemed to pick the right word up on the point of his pen, like a man playing spillikins", as G. K. Chesterton put it. He was also greatly admired by many authors, including Jorge Luis Borges, Ernest Hemingway, Rudyard Kipling, Vladimir Nabokov, and J. M. Barrie. Most modernist writers dismissed him, however, because he was popular and did not write within their definition of modernism. It is only recently that critics have begun to look beyond Stevenson's popularity and allow him a place in the canon. |
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